There’s a fundamental problem in the ebook marketing world. Consumers seem to be looking at production costs and equating that to the “fair” price of a commodity. The problem there is it doesn’t account for the relative time it takes to write a book or the expected market share.

‘NetWalkers took me at least two years to write. It’s 200,000 + tightly edited words long. The “sweet spot” for ebook pricing on single formats like Kindle or B&N increasingly appears to be 4.99 regardless of length. All the publisher-backed books, of course, manage to pull in much larger prices…again, regardless of length. People complain, but they still buy. For someone trying to accumulate readers, long books are killers, nevermind the market you want to reach is those who like long books. I know some authors out there play constant pricing games and are rolling in sales because of it, but I just can’t see where that’s fair to the consumer, not to mention a huge drain on my time.

The only thing I can think of to get anything remotely fair for my work is to split ‘NetWalkers into two books. It will actually split quite nicely…but it would be the way GT and UL had to be split for the same reason in a different marketing environment, i.e. it will be one book with a semi resolution in the middle. I really didn’t want to do it, but I think I’m going to have to this time, just to get people to buy it.

Then maybe I’d make an omnibus edition that will be available only on CC and send that one to the reviewers. That would be like when Cyteen came out as a complete in HC then in parts for PB.

Anyway…back to work. Just to let you know I’m still thinking of you all!

Blood Red Moon is now up on Kindle. Reviews w/b very welcome!

And it’s already up!

I fear #1 Bat Man Fan isn’t going to like it at all. (Gulp.) I will say this for him/her, he/she writes a heck of a review. These books aren’t for everyone and these reviews do an excellent job of pointing out the specific elements people might find most troubling/off-putting and I’m grateful to him/her for taking the time to write such diplomatic critiques!

I think many of the issues raised are actually addressed in Harmonies. I hope he/she gives it a try, but in all honesty, people looking for any sort of formulaic…or even just straight forward… answers probably won’t find them in my stuff, and will be disappointed. That’s why thoughtful reviews like these are so valuable.

I’m just kinda sorry that he/she took the cave scene that way. Stevie did try very hard not to expose Anevai. He was just, so he thought, doing what she wanted—which she did, just for the record! :biggrin: It’s not his fault he knows only one way to accomplish that…

I speak, of course, of the Wesser. Back and in full computer-crashing style.

I decided this AM that I was sick and tired of editing and prepping books and solving web problems and I was by golly going to start writing and writing what I wanted to write, not what I thought was most likely to sell. (I’m never right on that front, anyway.) So…I began Homecoming Games, the next step in the ‘NetWalkers saga.

I knew kind of how it began…one of Stevie’s infamous dream sequences. Then, a shift to a waking Stephen and Anevai. All is cool, all is developing with a proper degree of creepiness…then…Anevai used a Word. A Word in conjunction with herself and Dr Ridenour. A word that startled heck out of me…and, I firmly believe now, seriously pissed off the Wesser.

I stared at that Word. I tried to delete it, but deleting it went against everything I believe about writing. When the characters surprise you, you ask them why, you don’t just delete something that doesn’t, so you think, belong.

I decided, instead of deleting, to save the file, realizing at that point I’d been writing for about an hour (GO, ME!) and it was still an unnamed, unsaved file. (Oopsie!) So, I go to “save as”, try to create a new folder for Homecoming Games…

And WordPerfect, which never and I mean never crashes on me…crashed. Deader than a mackerel.

ARGH!!!!! I did a restart…and there wasn’t even an autosave!

HORRORS!

But the Wesser will not win! I resurrected the two scenes (bwahahaha) and The Word is still in there! (Double Bwa, Smith!)

And so, I plan to begin every day with at least an hour of actual writing!  You have no idea how good it feels to say that!

I just hit the Kindle publish button on UpLink. In honor of that step, I thought I’d share the review Faren Miller wrote for Locus all those years ago. It’s posted in its entirety with the blessing of Locus (thanks, guys and gals!)

Faren’s reviews of this series kept me going through the era of Warner’s refusal to send out review copies. She had to buy her own copy of at least one of them (Harmonies, I think…had I known, I’d so have sent her one!) In this case, she nails the big problem…GT and UL truly are one book. Harmonies starts a new arc. One linked to and built on the fallout from the first two books, but GT and UL are a complete arc and should have been presented that way. Unfortunately, Warner  just wasn’t having anything to do with a book that large…at least from a new author.  A lot would have been solved had they simply admitted GroundTies was the first of three…on the cover, in the book, I don’t care. Just  play fair with the consumer! But they didn’t…and so readers were left wondering.

Be that as it may…I share now Faren Miller’s review:

Speaking of conclusions…UpLink is the missing second half of Jane Fancher’s first novel, GroundTies. Together, they make a complete and satisfying book, steeped in the combination of tension, ambiguity, complex politics, and injured innocence that has become the trademark of Fancher’s friend/mentor C.J. Cherryh.

GroundTies introduced the planet HuteNamid, the mystery of its attraction for researchers (including one vanished pair), and a host of characters including the enigmatic Stephen Ridenour —the novel’s Cherryhan Young Man Under Pressure, a role he retains in UpLink, while Admiral Loren Cantrell is the Woman in Charge (and under considerable stress herself). As for the reader’s condition, there’s still plenty of nail-biting suspence here, but this book is the payoff, the one where the questions get answered and fates of several worlds are resolved or explained. As almost equally perplexing puzzles, Ridenour and HuteNamid gradually yield their secrets—which prove to be connected in interesting ways.

Reviewers spend a lot of time carping about endless series and needless sequels. While Fancher may go on to chronicle further adventures of Stephen Ridenour et al, GroundTies and UpLink should be regarded as a single entity, self-contained despite the annoying separation into two volumes. If you can handle close to 800 pages of almost unmitigated tension (there’s at least one breezy character to ease you through the tight-jawed crowd), read the whole thing as one book. No padding or wheel-spinning here—just the genuine article.

Thanks again, Faren and the whole Locus crew!

Getting access to my listings is downright dangerous. They have spots there for things like author comments and stuff like that. I’ve been trying to make my entries more intrustin’ and thought I’d share them with y’all…seein’ as how that’s been the sum total of my online presence for the last few days!

We’ll start with GroundTies (naturally). Read the rest of this entry »

I’ve added a separate page where you can go to discuss the NEW BOOK without putting spoilers on the main post page.

Check on the sidebar for the pages widget for Alizant: discussion

Well…isn’t that special? For some reason it’s not allowing comments on pages! Always did before. Going to try different themes. Pages w/b funny for a while.

Thanks everyone!

Or download, as the case might be. I can’t believe it. It’s actually done. Wow….Next up, Blood Red Moon…unless I change the title…

Or maybe…sleep….

Just…check out the link, okay?

http://www.closed-circle.net/WhereItsAt/?page_id=970

of Adobe Digital Editions, one of the more widely used epub readers. It won’t create italics by simply canting the font. If you embed a font which doesn’t specifically have an ital version… it defaults the font to one that does. Tracking this little gem just cost me two solid days. Other epub readers have no problem doing this, but not ADE.

I believe from scuttle I’ve now heard on the internet that this is a conscious decision on Adobe’s part, not a problem inherent to the program, and brings up an interesting question: does an ebook reader have the right to make such a determination on the aesthetics of a book? I say, no. That’s the creator’s decision. An ebook reader’s job is to do its damnedest to present the file it’s given. Period. For a company to take this kind of stand, to deliberately deviate from the maximum compatibility is, IMO, arrogant.

I’m trying to create a document that will read nicely in many different readers, not all of which support embedded fonts. Therefore, when I put in a section that is handwritten, I want a default font to show in italics, so what I did was use an upright handwritten font and surround it with italics. That way, the handwriting looked fine and if it was defaulted, it would still be in ital to set it apart.

Unfortunately, ADE defaulted this combo of code to the default font. Adding to the problem, sigil seemed to randomly (I’m sure it was triggered, but it appeared random) insert its own ital code, which had to be carefully tracked down and eliminated. Tracking this problem down involved hours of changing one thing in the epub file, saving, bringing it up in ADE to see if anything changed, then deleting it from ADE and starting all over. I posed a question on Mobileread and one of the darlings finally found an answer, as I narrowed the problem down. Once we’d solved it, someone else came on and explained that ADE doesn’t create ital…which I’d kind of already figured, but it was really nice to have confirmation.

Granted, I should have just let it go and put in simple ital, but by that time it had become a mystery to solve. In the end, the solution is more elegant and more easily adapted to other formats, but I still think ADE should have such an idiosyncracy clearly documented, with suggested workarounds.

Anyway…that was my weekend. :face:

Katoji: Ask and ye shall receive…even if a bit late!

The “how” and “when” of RoC: Alizant is a bit involved (what isn’t in my life!?! :biggrin: ) A sequel involving Alizant’s machines was always “in the plan”, but after I finished Ring of Destiny, I really wanted to get back into my SF universe. By that time I’d gotten the rights to the original GroundTies Series back from Warner, whose SF line had pretty much gone down by the stern anyway. I also wanted to write a book on spec for the first time since my first novel to try to get some real feedback on my writing from new editors who weren’t already committed to a series. I felt my books still weren’t  as “accessible” as they could be, even without compromising my own style.

Thus, ‘NetWalkers came into being. I knew reselling the GT series was going to be difficult, so a new book and a prequel that would give the new publisher a market for the backlist was the plan. Besides, that was the book aching to be written. Wesley clambered for my attention throughout the writing of Ring of Destiny.

The following few years were … interesting. I was about halfway through ‘NetWalkers when we made the big move from OKC to Spokane. This makes for a very short sentence, but involved dropping everything to pack way too much stuff, prep a house for sale, and unpack once we got here. Again, a short sentence for a very involved and stress-filled procedure that took months out of my writing schedule.

‘NetWalkers consumed my writing time for the next couple of years as I wrote the original, rewrote several times, the final time based on the first real feedback I’d gotten from NY, which had been very, very helpful, then rewrote all three of the original books to include the expanded knowledge I’d gained from the prequel (as well as that feedback). This was a massive rewrite because the idea was to make them different enough to warrant new editions, yet still have the same story.

During this period, I also lost both my parents and we moved yet again.

Finally, in … 2004, I think, I wrote RoC: Alizant.  Because of the delay, it took quite a different direction than I’d originally planned…a far better one, IMO. My brain had had some time away from the series and characters and I was able to go back to the world with a fresh energy. At this point, I really can’t reconstruct what the original story was going to be, but I can tell you a new character is introduced that I’d never dreamed of five years before!

I also wrote it from  a very positive place mentally. DAW had ‘NetWalkers and the rewrites and was making noises that they were very, very interested. I had hopes that perhaps, finally, that series was going to get something remotely like proper care and feeding. So there’s some really upbeat moments in it that wouldn’t have been there had I jumped into the story immediately after I finished RoD, with Wesley still being sulky and the move and all the rest, still wondering what I needed to do to be more “accessible.” (That magic word…)

So…anyway…that’s how the actual physical writing of the book fits into the overall history. How the story fits into the series chronologically, it starts several months after RoD ends and centers around first Deymio’s wedding, then Alizant’s electrical company and a little fellow by the name of Jeremin. :wink:

Thanks for asking!  Back to work!