of Adobe Digital Editions, one of the more widely used epub readers. It won’t create italics by simply canting the font. If you embed a font which doesn’t specifically have an ital version… it defaults the font to one that does. Tracking this little gem just cost me two solid days. Other epub readers have no problem doing this, but not ADE.

I believe from scuttle I’ve now heard on the internet that this is a conscious decision on Adobe’s part, not a problem inherent to the program, and brings up an interesting question: does an ebook reader have the right to make such a determination on the aesthetics of a book? I say, no. That’s the creator’s decision. An ebook reader’s job is to do its damnedest to present the file it’s given. Period. For a company to take this kind of stand, to deliberately deviate from the maximum compatibility is, IMO, arrogant.

I’m trying to create a document that will read nicely in many different readers, not all of which support embedded fonts. Therefore, when I put in a section that is handwritten, I want a default font to show in italics, so what I did was use an upright handwritten font and surround it with italics. That way, the handwriting looked fine and if it was defaulted, it would still be in ital to set it apart.

Unfortunately, ADE defaulted this combo of code to the default font. Adding to the problem, sigil seemed to randomly (I’m sure it was triggered, but it appeared random) insert its own ital code, which had to be carefully tracked down and eliminated. Tracking this problem down involved hours of changing one thing in the epub file, saving, bringing it up in ADE to see if anything changed, then deleting it from ADE and starting all over. I posed a question on Mobileread and one of the darlings finally found an answer, as I narrowed the problem down. Once we’d solved it, someone else came on and explained that ADE doesn’t create ital…which I’d kind of already figured, but it was really nice to have confirmation.

Granted, I should have just let it go and put in simple ital, but by that time it had become a mystery to solve. In the end, the solution is more elegant and more easily adapted to other formats, but I still think ADE should have such an idiosyncracy clearly documented, with suggested workarounds.

Anyway…that was my weekend. :face:

Katoji: Ask and ye shall receive…even if a bit late!

The “how” and “when” of RoC: Alizant is a bit involved (what isn’t in my life!?! :biggrin: ) A sequel involving Alizant’s machines was always “in the plan”, but after I finished Ring of Destiny, I really wanted to get back into my SF universe. By that time I’d gotten the rights to the original GroundTies Series back from Warner, whose SF line had pretty much gone down by the stern anyway. I also wanted to write a book on spec for the first time since my first novel to try to get some real feedback on my writing from new editors who weren’t already committed to a series. I felt my books still weren’t  as “accessible” as they could be, even without compromising my own style.

Thus, ‘NetWalkers came into being. I knew reselling the GT series was going to be difficult, so a new book and a prequel that would give the new publisher a market for the backlist was the plan. Besides, that was the book aching to be written. Wesley clambered for my attention throughout the writing of Ring of Destiny.

The following few years were … interesting. I was about halfway through ‘NetWalkers when we made the big move from OKC to Spokane. This makes for a very short sentence, but involved dropping everything to pack way too much stuff, prep a house for sale, and unpack once we got here. Again, a short sentence for a very involved and stress-filled procedure that took months out of my writing schedule.

‘NetWalkers consumed my writing time for the next couple of years as I wrote the original, rewrote several times, the final time based on the first real feedback I’d gotten from NY, which had been very, very helpful, then rewrote all three of the original books to include the expanded knowledge I’d gained from the prequel (as well as that feedback). This was a massive rewrite because the idea was to make them different enough to warrant new editions, yet still have the same story.

During this period, I also lost both my parents and we moved yet again.

Finally, in … 2004, I think, I wrote RoC: Alizant.  Because of the delay, it took quite a different direction than I’d originally planned…a far better one, IMO. My brain had had some time away from the series and characters and I was able to go back to the world with a fresh energy. At this point, I really can’t reconstruct what the original story was going to be, but I can tell you a new character is introduced that I’d never dreamed of five years before!

I also wrote it from  a very positive place mentally. DAW had ‘NetWalkers and the rewrites and was making noises that they were very, very interested. I had hopes that perhaps, finally, that series was going to get something remotely like proper care and feeding. So there’s some really upbeat moments in it that wouldn’t have been there had I jumped into the story immediately after I finished RoD, with Wesley still being sulky and the move and all the rest, still wondering what I needed to do to be more “accessible.” (That magic word…)

So…anyway…that’s how the actual physical writing of the book fits into the overall history. How the story fits into the series chronologically, it starts several months after RoD ends and centers around first Deymio’s wedding, then Alizant’s electrical company and a little fellow by the name of Jeremin. :wink:

Thanks for asking!  Back to work!

Been a productive weekend. Got back to work on the front and the dry streambed is taking shape. And Alizant’s cover’s done!!!!

Enjoy!

Lest anyone think they’re doing their child a favor to buy them a pony! OTOH, considering this little guy’s seat and persistence…I think it might be a Nikki-in-the-making!

Today’s vid comes thanks to good buddy and fellow horsewoman Maelen.

There’s another…much shorter, of Ed being very good.

Too cute!

Check out Maru and a big box 2 (not the super slowmo first one… it’s ok, but the other’s cuter.)

And yes…there is a crossover!

Another day, another link:

Thanks to my dear sis and buddy Craig who both put me onto it at the same time.

And there’s lots more where that came from!

Have fun!

Thanks, Chip, for passing it on.

I spent an unforgettable summer playing with dolphins in the name of a job down in California back in the early 70′s. This piece catches their intelligence, playfulness and whimsy like nothing I’ve ever seen.

http://wimp.com/dolphinbubbles/

And if you’d like more, check out YouTube

Cool links I’ve been sent/discovered:

From CJ: Kliban…the original lolcat:  http://www.eatmousies.com/home.html

From OSG(not sure this’ll work outside of FaceBook: Phenomenal climber/dancers: (http://www.facebook.com/#!/photo.php?pid=7885500&id=215494935292&ref=share)

Discovered from a pic in an email: Amazing paper sculpture (http://www.bnr-art.com/eckman/)

Have fun, everyone!

If I go “missing” for the next while.  I absolutely must buckle down and come up with some covers. I need to get my unpublished work up so that I can start working on new stuff. And after our mini-flood, Mom’s archives have achieved a real priority status on the round tuit list, which means all spare time is going to be spent scanning and cleaning images.

I will try to post something regularly, so please keep checking back, or put me on RSS or something. Carolyn’s great company, but we know all each other’s jokes by now. You guys help this business be a bit less isolated.

Ja ne!

I offer a new slide show.

Brother Chip and I had a great day together. We started with the problem of salvage of the super8mm family films. We think we’re onto a good local company, and they made a special effort to take in those damaged by the water and run them through the first salvage process rather than have them set over the weekend. I don’t hold out much hope for those six, but the other, um, 40 s/b cool.

Then we headed down for the suspension bridge over the Spokane Falls. Incredible weather, great lighting, a lovely breeze…we couldn’t ask for more.

Spokane has this lovely Riverfront Park which was created for the 1974 World Expo. It showcases the beautiful natural waterfall, and has some glorious extra features. I haven’t really had a chance since our visit here in 2000 to really take the time to take some snapshots and fortunately Chip was testing a lovely new camera, so he indulged my rather leisurely stroll along the bridge.

If you ever come to Spokane, park near the big blue bridge near the Flour Mill (you’ll know when you get here). Head for the blue bridge and just before you get there, go right and work your way along a beautiful path edged with totem poles and a small amphitheater. You’ll come out of the woodsy shade to a point between two suspension bridges over the two halves of the upper Spokane Falls.

This time of year, this side of the river is low as all the water is being diverted over to the other “tame” half of the river that goes past the historic Louff Carousel. The tame side is substantially higher and drops through the a hydroelectric plant in the middle of town and at the far end of the bridge to the left (south).

Part of the water was diverted to form what is now the Thomas R. Adkinson Theme Stream. It’s a beautifully zen waterfall that cuts across the island in a series of fall constructed around native basalt columns, river-rounded rock and wonderfully smooth flat central tiers. The columns offer a delicious temptation to crawl over them, and people of all ages do. I understand why they do, but I wish they wouldn’t. Kinda spoils the ambiance, y’know? I have once or twice, but only to remove detritus.

If you ever have the chance to visit, I really recommend you take your time, let your eyes roll over the textures, colors and let the sound of the falls permeate your pores. It’s…magical.

Anyway, pictures and words and all that, here’s the slide show.